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The Rays today released the image below of the new Astro Turf being installed at Tropicana Field.If you have watched any Rays games in recent years, you should immediately notice the difference in color.Without much fanfare—but in the presence of the Instagramming French president Emmanuel Macron—the Picasso Museum took the lead by opening “Picasso 1932: An Erotic Year.”Imagine Donald Trump showing support for a museum!(Or a museum inviting him to see pictures that he wasn’t in.)Macron picked the right show.(Another has brushwork associated more with Cy Twombly or Joan Mitchell than Picasso, whose technique emerged more clearly than I’d ever seen it.“Maybe it’s the lighting,” suggested dealer Daniele Balice.)Paris is a city that loves art, though probably not more than fashion.(The siblings’ grandfather went down on the Titanic.)It also drew family friends, like the expat Bruno Schmidt and Carmel Johnson, rarely seen in New York since the days of Club 57, the performance cabaret cofounded by Ann Magnuson and Kenny Scharf in the late 1970s.

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During the week, there were dinners in private homes that saw Americans banding together at separate left-bank parties given by artist Alexander May and Young Kim, where Mo MA curator Stuart Comer was the guest of honor.Compare it to the image at bottom from the ALDS in October.Also, Astro Turf has a live cam running on their website where you can track the progress.“The foundation has given us a platform in Paris that’s unique,” the latter said. And we never sell.”I have to say that it was pretty weird to see Picasso’s Boy Leading a Horse and one of Brancusi’s Bird in Spaces in a below-ground environment, even if it actually does give each plenty of room.“No other venue would have permitted a show like this.” I’m guessing that no other venue could afford it, either.“In France, we don’t respect money,” said LVF director Suzanne Pag, a refrain I would hear repeated over succeeding days by several other natives. Initially, the introductory gallery felt very coals-to-Newcastle, especially considering the origins of some of the works, and particularly Duchamp’s Bicycle Wheel, which anyone in Paris can see at the Pompidou any day of the week.

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